WEBVTT

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Our exhibition is called
What is Enlightenment?

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Questions for the 18th Century.

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Creating an exhibition
about a philosophical theme

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is somewhat like
squaring the circle.

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A challenge.

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And I’m glad that here at the
German Historical Museum we succeeded

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in making philosophical questions,
historical questions,

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and socially important questions

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tangible through objects.

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The exhibition itself has individual
so-called chapters.

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We begin with science.

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We have religion, pedagogy,
the question of equality.

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The design of the exhibition is
set up in such a way

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that there are sightlines
that allow you to look from one chapter

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into the next and make connections.

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We don’t think of a logical sequence,

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of a causal order,
but of constellations.

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And the object that guides us
is the kaleidoscope.

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Images keep changing
with the same elements.

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And so, we answer the question
“What is Enlightenment?”

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not with one answer,
but with more questions.

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These questions are more specific and smaller.

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What does pedagogy look like?

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What does new science look like?

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What does it mean
to demand equality?

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What does it mean to demand emancipation?

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We have, for example, Thomas Jefferson,

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who wrote the Declaration of Independence
of the United States,

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where he states, “All men are created equal.”

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But the same Jefferson owned slaves.

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And so, we have hung above this Declaration

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a document that shows how many and which slaves

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he owned at that time
on his estate, Monticello.

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And this kind of

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inconsistent implementation and

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contradictions
we try to show throughout,

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to encourage visitors to reflect and consider:

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Yes, if they couldn’t achieve
the demands in the 18th century,

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how can we do it today?

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To that end, we went beyond

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objects in the exhibition and conducted interviews

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with figures
from science, philosophy,

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and public life, asking them,
What does Enlightenment mean to them?

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How do these concepts
and ideas enter into their work,

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and how do they see
the progress in the future?

