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Exhibiton | 1945-1949 Continuity or New Beginning? | 1950-1959 Dispute about the Image of Man

1960-1979 Contemporaneousness - Trauma of the Past | 1980-1989 Manic Normality in Germany

 

1950–1959
Dispute about the Image of Man

Socialist Realism focused on the intrepid hero of the future, while “Art Informel” saw itself as an expression of the liberated subject in the West. Monuments and memorials in East and West competed with each other for the attention of the inhabitants. A memorial for the unknown political prisoner that was planned to be erected at the border crossing in West Berlin was to be understood as a counterpart to the Soviet victory monument in East Berlin and an indictment of the lack of freedom in the Soviet sphere of influence. The Buchenwald Memorial with a sculpture group by Fritz Cremer functioned as a symbol of anti-fascism in the GDR.

Fritz Cremer - Erster Entwurf zum Buchenwald-Denkmal, 1952
Fritz Cremer
Erster Entwurf zum Buchenwald-Denkmal, 1952
Staatliche Museen zu Berlin, Nationalgalerie
© 2009 Fritz Cremer Stiftung / VG Bild-Kunst, Bonn
Bernhard Heiliger - Denkmal des Unbekannten politischen Gefangenen, 1952
Bernhard Heiliger
Denkmal des Unbekannten politischen Gefangenen, 1952
Berlin, Bernhard Heiliger Stiftung
© 2009 Bernhard Heiliger Stiftung/VG Bild-Kunst, Bonn
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