Emy Roeder and the documenta
Julia Voss is co-curator of the current exhibition “documenta. Politics and Art”. In this blog post, she reports on Emy Roeder, one of the few female artists featured at the first documenta. Voss also reports on the other things she unearthed in the course of her research on Roeder relating to Arno Breker (a prominent artist during the Nazi regime), to the murdered Jewish artist Rudolf Levy, and, most notably, to the art historian and documenta cofounder Werner Haftmann.
“Divinely Gifted”. National Socialism’s Favoured Artists in the Federal Republic
“The East” at documenta and the major exhibition as event and institution
documenta as a Forum for Distancing Germany from Its Nazi Past and Seeking Alignment with North America
documenta. Politics and Art
Report from Exile
Fred Stein – a Family’s portrait by Peter Stein
Hannah Arendt: Only within the Limits of Nature is Freedom Possible
Sketch of a Physical Description of the Universe | Alexander von Humboldt and Film
Column: Democracy 2019
Column: Moses before Moses
Column: How Revolutions End
Column: At Any Price
Column: Piggy Bank Nation: Why Cash Still Matters in Germany
Column: Saving: Yesterday, Today, and Tomorrow
Column: Revolution Today
Column: The Dutch and Their ‘Oranje Feeling’
Column: Take to the Streets on 8 March!
Column: What is Virtual Reality? Uses for Society and Culture
Column: The Power of the Picture
Column: Unsatisfied Curiosity
Column: Willi Ruge: Photos for a New Era
Column: The Empathetic Museum
Column: The World Revolution That Wasn’t
Column: Using Children to Play Power Politics
Column: Press, Pictures and the Public
Column: Why the Nazis Were Afraid of Modern Art
Column: Do We Need Museums, Or Can They Go?
Column: “For me, homewards only ever heads toward Germany”
